When the facts count.

Technical Data

Control Surface

  • Frame sizes from 16 + 8 faders to 96 + 8 faders
  • Separate frames with 8, 16 and 24 faders
  • 6 banks per 2 layers
  • 100 mm faders + 4 rotary controls with free assignment + Input Gain controller
  • Channel Display on every fader, with touch-sensitive selection
  • TFT metering in mono, stereo or up to 7.1, including bus-assignment, dynamics gain reduction, AfV status, VCA assignment, surround master assignment
  • External display of GUI pages, eg. metering
  • Fader colour coding, settable via snapshot
  • Fader notch and PFL overpress
  • 9 user buttons
  • Optional: up to three user panels can be integrated (machine control, theatre functions, automation, 40 / 80 buttons) talkback, script tray, PPM-integration, 2 RU 19” integration

 

Signal Processing

  • 512 channels and 144 summing buses, 40-bit floating point
  • Up to 376 inputs with A/B input, up to 48 subgroups, 32 aux sends, up to 96 track buses, up to 48 main sums
  • Quick change of channel and bus to mono / stereo / surround
  • Up to 64 surround channels, 128 VCA groups with metering, 256 GP channels
  • Surround formats: DTS / Dolby ® Digital 5.1, Dolby ® Pro-logic 4.0, DTS ES / Dolby ® EX 6.1, SDDS 7.1, DTS-HD 7.1, diverse panning characteristics, surround aux bus
  • 2 AFL: 1 surround 8-channel, 1 stereo
  • 2 PFL stereo
  • Audio-follow-Video with 128 events; controlled either via RemoteMNOPL, GPI or matrix connection, envelope adjustable up to 10s fade time
  • Solo In Place
  • Permanent meter point on the fader, selectable to INPUT,
  • PF, AF, DIROUT on the Channel Display
  • Modules: INMIX with MS-Decoder, Digital Amp, 2-band fully parametric filter, 4-band fully parametric EQ, 2-band fully parametric side chain filter, insert, delay up to 1800 ms (units in metres, milliseconds, frames); 4 independent dynamics (Expander, Gate, Compressor, Limiter), Image, Meter, Direct Out
  • In-line configuration with send / return switching — on the channel or global
  • Fully equipped surround channel with coupling of all channel parameters and Hyper Panning

 

Routing Matrix

  • Up to 8192 crosspoints, non-blocking
  • 96 kHz, 24-bit
  • Fully redundant signal path
  • Level adjustment of all inputs and outputs
  • Downsizing from up to 7.1 to stereo
  • Integrated monitoring devices for remote locations, e. g. director’s room
  • Full networking of up to 16 HD Cores, share and import from sources and destinations, studio intervention
  • Full snapshot and production data portability independent of matrix and DSP size

 

Plug-in Server

  • Full VST plug-in integration with storage of plug-in parameters in snapshots and production data

 

Static and Dynamic Automation

  • Snapshot automation, multiple sequences with trim and fade
  • Dynamic TC-based automation, recording by parameter, recording of all modules in a channel including bus assign, writing in “stop” mode, touch, glide, join, punch in / out
  • Trim including “on the fly” mode
  • TC-Cut editing (copy, paste, delete, cut, insert, etc.)

 

I / O

  • Mic / Line with up to 127dB dynamic range, subsonic filter 40, 80, 140 Hz
  • Line out
  • ADAT ® (ADAT 7.1 is a registered trade mark of Alesis, LLC and is used here under licence)
  • AES with input and output SRC, transparent Dolby ® E routing, balanced and unbalanced
  • HD-SDI with up to 270 ms onboard delay, MADI 64 and 56 with fibre or coax, ATM, GPIO, serial, MIDI
  • Direct intercom connection
  • All interfaces at 24-bit, 96 kHz (for details see DALLIS product information)
  • Monitoring systems for stereo and surround

 

Synchronisation

  • 2 redundant inputs with automatic detection of Blackburst, Wordclock, AES3, MADI

 

Redundancy

  • PSUs, DSP board, router board
  • Fully redundant signal path
  • Redundant control system, exchangeable during run time; full data redundancy PSU for control system and control surface

 

Control

  • Bay-Iso with separate layer and bank switching, plus second PFL / AFL bus
  • Global A / B input switching
  • Enhanced mix-minus control with independent off-air conference
  • Direct out mute by fader
  • Mix-minus self monitoring
  • IT (IS) summation
  • Fader control of all level parameters
  • Diverse tally and fader start modes
  • Program switch
  • Machine control
  • Audio-follow-Video up to 128 camera tallies,
  • Ethernet or GPI controlled
  • Extensive talkback system integration
  • Camera mic remote via GPI or voltage control

 

Remote Maintenance

  • Remote connection via Internet software
  • Remote software updates, error diagnostics
  • mxGUI: remote control of console via laptop

 

External Control Systems

  • Remote control of all routing parameters via network
  • Remote control of monitoring units in remote locations
  • Remote control of integrated matrix monitoring units
  • Remote control of signal parameters such as SDI, silence detects, mic gain and more (for details see the Remote MNOPL protocol documentation)
  • Online configuration with AdminHD, graphic configuration of HD Core components
  • External matrix controllers: VSM, Jupiter, BFE and others

 

Subject to change without prior notice, no responsibility is taken for the correctness of the details provided.

 

DALLIS